Current Book Launches

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Indigenous Authors Bibliography

Billy-Ray Belcourt

A History of My Brief Body

NDN Coping Mechanisms: Notes from the Field

This Wound is a World

Jolene Rickard

Diversifying Sovereignty and the Reception of Indigenous Art, Art Journal 76, no. 2 (2017) 

Aesthetics, Violence and Indigeneity, Public 27, no. 54 (Winter 2016) 

The Emergence of Global Indigenous Art, Sakah├ín, National Gallery of Canada (2013) 

Visualizing Sovereignty in the Time of Biometric Sensors, The South Atlantic Quarterly: Sovereignty, Indigeneity, and the Law, 110:2 (2011)

Skin Seven Spans Thick, in Hide: Skin as Material and Metaphor, Washington DC: National Museum of the American Indian, 2010

Haudenosaunee Art: ‘In the Shadow of the Eagle.’, in Three Centuries of Woodlands Indian Art: A Collection of Essays, J. C. H. King; Christian F. Feest, eds. Altenstadt: ZKF Publishers (2007)

The Local and the Global, in Vision, Space, Desire: Global Perspectives and Cultural Hybridity, National Museum of the American Indian (Smithsonian), 2006 Proceedings of conference held in Venice, Italy, December 2005

Indigenous is the Local, in On Aboriginal Representation In The Gallery, Hull, Quebec: Canadian Museum of Civilization, Lynda Jessup, ed. (2002)

Indian Humor by Comanche Bates, Sara, Cherokee, Curator; Essays by Jolene Rickard, Tuscarora and Paul Chaat Smith and Sarah Bates, 1995

Cracked shell (Robert B. Menschel Photography Gallery), 1994

Watchful eyes: Native American women artists, 1994 (with Theresa Harlan) 

Janet Rogers

Splitting the Heart (Ekstasis Editions, 2007), 

Red Erotic (Ojistah, 2010) 

Unearthed (Leaf Press, 2011)

Gerald Vizenor 


Blue Ravens (Wesleyan University Press, 2014)

Shrouds of White Earth (SUNY P)

Father Meme (U of New Mexico P)

Hiroshima Bugi: Atomu 57 (Nebraska UP)

Chancers (Oklahoma UP)

Hotline Healers: An Almost Browne Novel (Wesleyan UP)

Bearheart: The Heirship Chronicles (Minnesota UP) (revised version of Darkness in Saint Louis Bearheart)

The Heirs of Columbus (Wesleyan UP)

Griever: An American Monkey King in China (Minnesota UP)

The Trickster of Liberty: Tribal Heirs to a Wild Baronage (Emergent Literatures)

Earthdivers: Tribal Narratives on Mixed Descent (Minnesota UP)

Landfill Meditation: Crossblood Stories (Wesleyan UP)

Dead Voices: Natural Agonies In The New World (U. of Oklahoma Press)

Chair of Tears (U of Nebraska Press)


Thomas James Whitehawk: Investigative Narrative in the Trial, Capital Punishment, and Commutation of the Death Sentence of Thomas James Whitehawk (Four Winds Press, 1968)

Touchwood : A Collection of Ojibway Prose (Many Minnesotas Project, No 3) (New Rivers Press)

The People Named the Chippewa: Narrative Histories (Minnesota UP)

The Everlasting Sky; New Voices from the People Named the Chippewa (MacMillan)

Manifest Manners: Postindian Warriors of Survivance (Wesleyan UP) (later renamed Manifest Manners: Narratives on Postindian Survivance)

Crossbloods; Bone Courts, Bingo, and Other Reports (Minnesota UP)

Wordarrows: Indians and Whites in the New Fur Trade (Minnesota UP)

Shadow Distance: A Gerald Vizenor Reader (Wesleyan UP)

Fugitive Poses: Native American Indian Scenes of Absence and Presence (Nebraska UP, 1998)

Native Liberty: Natural Reason and Cultural Survivance (Nebraska UP, 2009)


Poems Born in the Wind (1960)

The Old Park Sleepers (1961)

Two Wings the Butterfly (privately printed, 1962)

South of the Painted Stones (1963)

Summer in the Spring: Anishinaabe Lyric Poems and Stories (Oklahoma UP)

Slight Abrasions: A Dialogue in Haiku, with Jerome Downes (Nodin Press, 1966)

Water Striders (Moving Parts Press)

Seventeen Chirps (Nodin Press)

Raising the Moon Vines (Nodin Press)

Matsushima : Pine Island (Nodin Press, 1984)

Cranes Arise: Haiku Scenes (Nodin Press, 1999)

Empty Swings (Haiku in English Series) (Nodin Press)

Bear Island: The War At Sugar Point (Minnesota UP, 2006)

Almost Ashore (Salt Publishing, 2006)

Quasi en terra (Valencia, Denes, 2009), transl. Carme Manuel Cuenca